Celebrated Hollywood film maker Quentin Tarantino (Reservoir Dogs, Pulp Fiction, Kill Bill, Django Unchained; the list goes on) has worked with multiple studio collaborators over the years, chiefly now-notorious ex-mogul Harvey Weinstein.
Proud yet disappointed.
Look, it’s a faithful adaptation of the book and its classic character beloved across the world, and I’ll perform my play based on the novel to prove it.
Imagine that a musical act you want to see is slated to appear next spring at the celebrated Coachella Valley Music and Arts Festival in the Southern California desert. Tickets are a bit steep for you, but you’ve been hearing some buzz that your favorite band might play at a smaller festival in an adjoining state a couple months later. Obviously, you’re buoyed by that.
Musical festivals across the United States are a timeless and popular feature of spring and summer each year. They draw many millions of people to varied outdoor venues to hear multiple artists and kick back in leisured fashion for what is often a weekend or more. As a recent article on this phenomenon notes, attendees revel in the “festival experience.”
Los Angeles is filled with aspiring actors. Everyone’s looking for their big break to launch their career. Unfortunately, this creates an unequal situation between actors and production companies, in which an actor may be so eager to land a role, they’ll sign whatever agreements are handed to them—without giving it much thought.
Attorneys for global pop star Enrique Iglesias assert that their client has made persistent attempts to induce good faith from music producer Universal International Music BV, but without success. Consequently, the singer recently "regrettably concluded that he had no choice" other than to commence litigation against the company to settle a material contractual issue.
A recent media report states that huge entertainment company AMC "has been hit with two pretty major blows" relating to its tremendously popular cable TV show The Walking Dead.
Bill Nye is a person who is accustomed to objectively making analytical assessments based on dispassionate scrutiny of empirical evidence.
Here's a preliminary and bedrock point to note in any blog post prior to its focus upon a high-profile contractual dispute relevant to a top-ranking television program: "The business side of the entertainment industry can be extremely challenging to navigate."